Romain Crelier | La Mise en Abîme
Entitled La Mise en Abîme, the mesmerising installation comprises two large, extremely precise and impeccably finished receptacles in which vast quantities of used oil are contained. Shaped like giant puddles, the sculptures with their shiny, and lacquer surfaces (thanks to the expressive properties of oil) reflect the surrounding, allowing the viewers to interact with the architecture of the church by being pulled into the reflection so that they, in turn, become part of the sculpture itself. The installation not only dispenses multiple visual thrills and mysteries but also offers a moment where sculpture creates another reading of space.
Olafur Eliasson - The Weather Project (2003)
“Representations of the sun and sky dominate the expanse of Turbine Hall. A fine mist permeates the space, as if creeping in from the environment outside. Throughout the day, the mist accumulates into faint, cloud-like formations, before dissipating across the space.
At the far end of the hall is a giant semi-circular form made of hundreds of mono-frequency lamps.
Generally used in street lighting, mono-frequency lamps emit light at such a narrow frequency that colors other than yellow and black are invisible, thus transforming the visual field around the sun into a vast duotone landscape.”
Salt Museum: Macoltti Roussey Architectes & Thierry Gheza